strings
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13 Duets from Bach’s French and English Suites (Violin and Cello)
Overview These duets are drawn from the French and English suites of Johann Sebastian Bach (1685-1750). Bach wrote the English suites (BWV 806-811) after 1715 and the French suites (BWV 812-817) around 1722. Some pieces have been transposed; original keys are indicated before each piece. I have included tempi and initial dynamics; these are only […] Read more…
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13 Duets from Bach’s French and English Suites (Flute and Cello)
Overview These duets are drawn from the French and English suites of Johann Sebastian Bach (1685-1750). Bach wrote the English suites (BWV 806-811) after 1715 and the French suites (BWV 812-817) around 1722. Some pieces have been transposed; original keys are indicated before each piece. I have included tempi and initial dynamics; these are only […] Read more…
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13 Duets from Bach’s French and English Suites (Clarinet in A and Cello)
Overview These duets are drawn from the French and English suites of Johann Sebastian Bach (1685-1750). Bach wrote the English suites (BWV 806-811) after 1715 and the French suites (BWV 812-817) around 1722. Some pieces have been transposed; original keys are indicated before each piece. I have included tempi and initial dynamics; these are only […] Read more…
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13 Duets from Bach’s French and English Suites (Clarinet and Cello)
Overview These duets are drawn from the French and English suites of Johann Sebastian Bach (1685-1750). Bach wrote the English suites (BWV 806-811) after 1715 and the French suites (BWV 812-817) around 1722. Some pieces have been transposed; original keys are indicated before each piece. I have included tempi and initial dynamics; these are only […] Read more…
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3 Duets from the Anna Magdalena Bach Notebook (2 Violins)
Overview These approachable duets have been transposed to appropriate keys for the instrument. The dynamics and articulations are editorial suggestions. Other interpretations are possible. If desired, a teacher may play the upper line while a student plays the lower line. According to conjecture, J.S. Bach began the Notebook for Anna Magdalena Bach in 1725 as […] Read more…
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3 Duets from the Anna Magdalena Bach Notebook (2 Violas)
Overview These approachable duets have been transposed to appropriate keys for the instrument. The dynamics and articulations are editorial suggestions. Other interpretations are possible. If desired, a teacher may play the upper line while a student plays the lower line. According to conjecture, J.S. Bach began the Notebook for Anna Magdalena Bach in 1725 as […] Read more…
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3 Duets from the Anna Magdalena Bach Notebook (2 Double Basses)
Overview These approachable duets have been transposed to appropriate keys for the instrument. The dynamics and articulations are editorial suggestions. Other interpretations are possible. If desired, a teacher may play the upper line while a student plays the lower line. According to conjecture, J.S. Bach began the Notebook for Anna Magdalena Bach in 1725 as […] Read more…
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3 Duets from the Anna Magdalena Bach Notebook (2 Cellos)
Overview These approachable duets have been transposed to appropriate keys for the instrument. The dynamics and articulations are editorial suggestions. Other interpretations are possible. If desired, a teacher may play the upper line while a student plays the lower line. According to conjecture, J.S. Bach began the Notebook for Anna Magdalena Bach in 1725 as […] Read more…
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The Light (2003, Chamber Orchestra)
Overview The Light is a 24-minute piece for two narrators and chamber orchestra by Mark Feezell. The narrators perform the roles of Moses and John in dialogue using public domain Bible translations. This is my dissertation piece and represents years of work. I have come to realize it needs to be available freely to the […] Read more…